Tuesday, May 4, 2021

A Master's Hat, My Father's Crown...



Papa
- Claude Barzotti -

On parle souvent des mamas
On oublie parfois les papas
Venus du fond de l'Italie
De Pescara, de Napoli
Ils étaient bien souvent maçons
Devenus des mineurs de fond
Ils mettaient du coeur à l'ouvrage
Tout au bout de ce long voyage
On a grandi avec l'amour
Y avait jamais de mauvais jours
Les fins de mois étaient fragiles
Et c'était parfois difficile
Mais quand on a au fond du coeur
Des jardins parfumés de fleurs
Ils nous apportaient le soleil
Un nouveau pays de merveilles

Refrain :
Papa, Papa, Papa
Si tu n'avais pas été là
Dis-moi qu'aurais-je fait sans toi ?
Papa, Papa
Si tu n'avais pas été là
Qu'aurais-je fais de mes dix doigts ?

Les cheveux noirs devenus blancs
Avec la pluie, avec le temps
Ils n'ont pas perdu leur accent
Et leurs mains parlent encore vraiment
Elle est arrivée enfin l'heure
De n' plus se fatiguer le coeur
De se reposer en famille
Les papas ont les yeux qui brillent…
On n'a pas tous la même histoire
Non, mais ça y ressemble un peu
Qui n'a pas eu envie un soir
De dire "Papa, je suis heureux"
Je suis heureux, je te le dois
Je suis ici, c'est grâce à toi
J' trouve pas les mots pour dire merci
A toi et à Maman aussi…

Retour au refrain (1 fois)
Toi tu m'as donné la musique
Le coeur et l'âme romantique
Avec ces instants si magiques
De tes souvenirs nostalgiques
Papa, Papa, Papa
Et si un jour tu n'es plus là…
Comment vais-je vivre sans toi


Sunday, May 2, 2021

Baudelaire -Recueillement - Les Fleurs du Mal


Recueillement
- Charles Baudelaire -


Sois sage, ô ma Douleur, et tiens-toi plus tranquille.
Tu réclamais le Soir ; il descend ; le voici :
Une atmosphère obscure enveloppe la ville,
Aux uns portant la paix, aux autres le souci.

Pendant que des mortels la multitude vile,
Sous le fouet du Plaisir, ce bourreau sans merci,
Va cueillir des remords dans la fête servile,
Ma douleur, donne-moi la main ; viens par ici,

Loin d'eux. Vois se pencher les défuntes Années,
Sur les balcons du ciel, en robes surannées ;
Surgir du fond des eaux le Regret souriant ;

Le Soleil moribond s'endormir sous une arche,
Et, comme un long linceul traînant à l'Orient,
Entends, ma chère, entends la douce Nuit qui marche.




Friday, February 5, 2021

Guest House - Rumi -

Guest House 
- Rumi -

This being human is a guest house
Every morning a new arrival.

A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.

Welcome and entertain them all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still treat each guest honorably.
He may be clearing you out for some new delight.

The dark thought, the shame, the malice,
meet them at the door laughing,
and invite them in.

Be grateful for whoever comes,
because each has been sent
as a guide from beyond.

***

Sunday, November 15, 2020

حقائب الدموع والبكاء - When the Rain Comes - Nizar Kabbani




حقائب الدموع والبكاء


إذا أتى الشتاء..
وحركت رياحه ستائري
أحس يا صديقتي
بحاجة إلى البكاء
على ذراعيك..
على دفاتري..

يبتدئ النزيف في قلبي .. وفي أناملي.
كأنما الأمطار في السماء
تهطل يا صديقتي في داخلي..
عندئذ .. يغمرني
شوق طفولي إلى البكاء ..
على حرير شعرك الطويل كالسنابل..
كمركب أرهقه العياء
كطائر مهاجر..
يبحث عن نافذة تضاء
يبحث عن سقف له ..
في عتمة الجدائل ..
*
إذا أتى الشتاء..
يأتي إلى الحزن من مغارة المساء
يأتي كطفل شاحب غريب
مبلل الخدين والرداء..
وأفتح الباب لهذا الزائر الحبيب
أمنحه السرير .. والغطاء
أمنحه .. جميع ما يشاء
*
من أين جاء الحزن يا صديقتي ؟
وكيف جاء؟
يحمل لي في يده..
زنابقا رائعة الشحوب
يحمل لي ..
حقائب الدموع والبكاء..


- نزار قباني

Sunday, October 4, 2020

Let me not pray - Tagore -

 


Let me not pray

- Tagore -


Let me not pray to be sheltered from dangers
but to be fearless in facing them.

Let me not beg for the stilling of my pain
but for the heart to conquer it.

Let me not look for allies in life's battlefield
but to my own strength.

Let me not crave in anxious fear to be saved
but hope for the patience to win my freedom.

Grant that I may not be a coward,
feeling your mercy in my success alone;

But let me find the grasp of your hand in my failure.


Thursday, August 20, 2020

Saturday, August 8, 2020

You Smiled, You Spoke, And I Believed -Walter Savage Landor-


You Smiled, You Spoke, And I Believed 
-Walter Savage Landor-
*
You smiled, you spoke, and I believed,
By every word and smile deceived.
Another man would hope no more;
Nor hope I what I hoped before:
But let not this last wish be vain;
Deceive, deceive me once again! 
***


Sunday, August 2, 2020

The Bridge (Al Jisr) - الجسر - خليل حاوي -



 الجسر - خليل حاوي - 

 "سوفَ يَمضونَ وتَبْقى , فارغَ الكَفَّيْنِ , مصلوبًا, وحيد "

*

وكفاني أَنَّ لي أطفالَ أترابي 

ولي في حُبِّهم خمرٌ وزادْ 

مِن حصادِ الحَقلِ عندي ما كفاني

وكفاني أنَّ لي عيدَ الحصادْ, 

أنَّ لي عيدًا وعيدْ 

كُلَّما ضَوَّأَ في القَريةِ مصباحٌ جديدْ, 

غَيرَ أَنِّي ما حملتُ الحب للموتى 

طيوبًا, ذهبًا, خمرًا, كنوزْ 

طفلُهُم يُولدُ خفَّاشًا عجوزْ 

أينَ مَنْ يُفني ويُحيي ويُعيدْ 

يتولَّى خَلْقَه طفلاً جديدْ 

غَسْلَهُ بالزيتِ والكبريت 

مِن نَتنِ الصديدْ 

أينَ مَن يُفْني ويُحيي ويُعيد 

يَتَولّى خَلْقَ فرخ النسرِ 

مِن نَسلِ العَبيدْ 

أنكَرَ الطفلُ أباهُ, أُمَّهُ 

ليسَ فيه منهُما شبْهٌ بَعيدْ 

ما لَهُ يَنْشَقُّ فينا البَيْتُ بَيْتَينِ 

وَيَجري البَحرُ ما بَيْنَ جديدٍ وعتيقْ 

صرخةٌ, تقطيعُ أرحامٍ, 

وتَمزيقُ عُروقْ, 

كَيفَ نَبقي تحتَ سَقفٍ واحدٍ 

وبحارٌ بيننا.. سورٌ.. 

وصَحراءُ رمادٍ باردِ 

وجليدْ. 

ومتى نطفرُ مِن قبوٍ وسجْنِ 

ومتى, ربَّاهُ, نشتدُّ ونبني 

بِيَدينا بَيتنا الحُرَّ الجَديدْ 

يَعبرونَ الجِسرَ في الصبحِ خفافًا 

أَضلُعي امتَدَّتْ لَهُم جِسْرًا وطيدْ 

مِن كُهوفِ الشرقِ, مِن مُستنْقعِ الشَرقِ 

إِلى الشَّرقِ الجديدْ 

أَضْلُعي امْتَدَّتْ لَهُم جِسرًا وطيدْ 

'سوفَ يَمضونَ وتَبْقى' 

'صَنَمًا خلَّفَهُ الكهَّانُ للريحِ' 

'التي تُوسِعُهُ جَلْدًا وَحرْقًا' 

'فارغَ الكَفَّيْنِ, مصلوبًا, وحيدْ' 

'في ليالى الثَّلْجِ والأفقُ رمادٌ' 

'ورمادُ النارِ, والخبز رمادْ' 

'جامِدَ الدَّمْعَةِ في لَيْلِ السهادْ' 

'ويوافيكَ مع الصبحِ البريدْ:' 

'.. صَفحَةُ الأخبارِ.. كم تجترّ ما فيها' 

'تُفَلِّيها.. تُعيدْ..!' 

'سوفَ يَمضونَ وتبقى' 

'فارغَ الكَفَّيْن, مصلوبًا, وحيدْ'. 

*** 

اِخرسي يا بُومةً تقرعُ صدري 

بومةُ التاريخِ مِنِّي ما تُريدْ? 

في صَناديقي كُنوزٌ لا تَبيدْ: 

فرحي في كُلِّ ما أَطعَمتُ 

مِن جَوهرِ عُمْري, 

فَرَحُ الأيدي التي أعْطَتْ وإِيمانٌ وذِكرى, 

إنَّ لي جَمْرًا وخَمْرًا 

إِنَّ لي أطفالَ أترابي 

ولي في حُبِّهم خَمْرٌ وزادْ 

مِن حصادِ الحَقْلِ عندي ما كفاني 

وكفاني أنَّ لي عيدَ الحصادْ, 

يا مَعادَ الثلجِ لَن أخْشاكَ 


لي خَمْرٌ وجَمْرٌ للمَعادْ

****

Friday, July 24, 2020

The Case for Kissinger - Jacob Heilbrunn the editor of The National Interest.





The Case for Kissinger

"As America continues to lurch wildly in foreign affairs, it seems safe to say that the case for Henry Kissinger is becoming stronger than ever."

by Jacob Heilbrunn

HENRY KISSINGER, who recently turned ninety-seven, is America’s most celebrated living statesman. None of his successors has come close to matching the extraordinary blend of acclaim and notoriety, admiration and criticism that he attracted as national security adviser and secretary of state to Richard M. Nixon and secretary of state to Gerald Ford. The British Foreign Office referred to him at the time as “the Wizard of the Western World'” and Playboy Bunnies voted him the man they would prefer to date in 1972—no small accomplishments for an expert on the Congress of Vienna who spent much of his early career at Harvard, where his cohort included the likes of Samuel Huntington, Stanley Hoffmann, and Zbigniew Brzeziński.

But Kissinger’s foreign policy wizardry was always accompanied by reproaches and rebukes, both public and private. The posthumously published The Letters of Arthur Schlesinger, Jr., for example, reveal that in a lengthy November 5, 1974 missive to Kissinger, Schlesinger expressed his dismay to his old friend about the direction of American foreign policy during the Nixon administration:

I cannot but feel that our foreign policy in recent years removed the United States from what historically has been the source of our greatest impact on mankind. We have most influenced the world as a nation of ideals, conveying a sense of hope and faith in democracy… It may well be said that such hope was often delusory and that it often concealed a tough sense of American self-interest. […] The conception of world affairs as a chess game played by foreign secretaries contains an instinctive preference for authoritarian states, where governments can be relied on to deliver their people, as against democracies, where people might always turn on their governments.

The Left and Right united in attacking him as an amoral practitioner of realpolitik who had subverted American ideals: to the former he was a war criminal who had wantonly deployed American power abroad; to the latter, an appeaser who had not deployed it enough. Ronald Reagan declared at the Republican Convention in Kansas City in 1976 that “Henry Kissinger’s recent stewardship of U.S. foreign policy has coincided precisely with the loss of U.S. military supremacy… Under Kissinger and Ford this nation has become No. 2 in military power in a world where it is dangerous—if not fatal—to be second best.”

Kissinger was undaunted. His two volumes of memoirs, which were published in 1979 and 1982, were bestsellers. In 2014, in a poll of American international relations scholars, he was named the most effective secretary of state in the previous fifty years. He has remained a coveted presence in the Oval Office, advising presidents from Jimmy Carter to Ronald Reagan, from George W. Bush to Donald Trump. Vice President Dick Cheney said, “I probably talk to Henry Kissinger more than I talk to anyone else.” Kissinger also advised Hillary Clinton when she was secretary of state, observing “She ran the State Department in the most effective way I’ve ever seen.” Clinton reciprocated the sentiments in a 2014 review in the Washington Post of his book, World Order: “Kissinger is a friend and I relied on his counsel when I served as Secretary of State.” Yet in 2016, when she ran for the Democratic nomination, she became embroiled in a nasty dispute with her rival Bernie Sanders over her admiration for Kissinger. Sanders declared during a debate in February, “I am proud to say Henry Kissinger is not my friend” (as though he had a real choice in the matter). Decades after he exited government service, Kissinger continued to provoke disputes about his legacy and reputation.

AS AMERICA lurches wildly in foreign affairs, it seems safe to say that the case for Kissinger is becoming stronger than ever. The belief that America should function as a missionary nation-state, exporting democracy whenever and wherever it chooses, has suffered a brutal buffeting in recent decades, as what once seemed indispensable has begun to look decidedly dispensable, at least when it comes to intervening abroad. Indeed, in Iraq and Afghanistan, hubris has substituted for discernment, folly for strategy. Perhaps, then, it should come as no surprise that realism has begun to come in for a second look in recent years. What was once dismissed as amoral has begun to appear as a higher species of morality. In recent years, a flurry of books has thus started to offer a decidedly revisionist take on Kissinger, extolling his foreign policy acumen and diplomatic prowess. This effort to counter the series of dyslogistic books on Kissinger and to restore a sense of proportion, even—dare one say it?—an equilibrium, in assessing Kissinger may be said to have begun with the historian Niall Ferguson’s recent biography which attempted to depict him as an idealist throughout his career. Now, Barry Gewen, an editor at the New York Times, in a much superior book called The Inevitability of Tragedy, explains why Kissinger’s thinking—his view of history, power, and democracy—should command our attention.

Gewen does not merely come to praise Kissinger, but rather to explicate his intellectual odyssey—from his formative years at Harvard to his immersion in world affairs in Washington to his tutelary role as an elder statesman. Gewen deftly sets him in the wider context of the rise of totalitarianism in the past century, seeking to understand Kissinger as he understood himself. Above all, he knows that realism demands a realistic appraisal of Kissinger. As Gewen puts it,

He is more than a figure out of history. He is a philosopher of international relations who has much to teach us about how the modern world works—and often doesn’t. His arguments for his brand of Realism—thinking in terms of national interest and a balance of power—offer the possibility of rationality, coherence, and a necessary long-term perspective at a time when all three of these qualities seem to be in short supply.

Perhaps nothing impressed upon Kissinger, much of whose thinking has revolved around the dilemmas of power that plagued central Europe, the importance of a balance of power and the fragility of democracy more than the rise to power of Hitler in January 1933. Hitler was installed by the conservative German elites who loathed Weimar democracy as a Western import that was alien to the true Teutonic spirit and who believed that in Hitler they had discovered a pliant instrument to lay the basis for a return to the old order. They were wrong. Hitler not only destroyed democracy, but also Germany itself. In striving for a new German empire, he reversed Bismarck’s unification of Germany, leaving it sundered, the plaything of Russia and the Western powers. “Hitler’s advent to power,” Kissinger wrote in his masterwork Diplomacy, “marked one of the greatest calamities in the history of the world.” Kissinger, whose family emigrated from Germany in 1938, saw the ease with which a sinister demagogue such as Hitler could turn democratic practices against a democracy. Kissinger himself later recalled, “I had seen evil in the world.” Gewen suggests that these experiences prompted Kissinger to gaze not only with an appropriately wary eye at the export of democracy, but also at America itself. His wariness was shared by others who had fled the Third Reich for America. For prominent thinkers such as Leo Strauss, Hannah Arendt, and Hans Morgenthau, democracy wasn’t an answer, but a conundrum that they tried to address. They, too, had seen that liberal democracy might serve as pit-stop rather than a road block on the path to totalitarian rule. “Government of the people, by the people,” Gewen writes, “is a fine thing when it works. But the fact is, as Kissinger knew so well, frequently it doesn’t.”

It was Kissinger who became the supreme exponent of realpolitik in American foreign policy. In this regard, he drew deeply upon the work of Morgenthau, who considered Kissinger one of the greatest secretaries of state in American history. “We shared almost identical premises,” Kissinger once wrote. They remained lifelong friends, and in 1983 Arthur M. Schlesinger, Jr., awarded Kissinger the Morgenthau Memorial Award of the National Committee on American Foreign policy, noting that America needed Kissingers and Morgenthaus—intellectuals willing to work inside of government as well as scholars content to remain outside to offer bracing criticisms.

Though Morgenthau was an early opponent of the Vietnam War—in 1965 he asked, “What will our prestige be like if hundreds of thousands of American troops become bogged down in Vietnam, unable to win and unable to retreat?”—he remained steadfast in his admiration for Kissinger’s tenure during the Nixon administration. In his focus on the “national interest” and skepticism about an international community of nations in his classic work Politics Among Nations, Morgenthau influenced a host of realist thinkers, including George F. Kennan, Walter Lippmann, Raymond Aron, and Reinhold Niebuhr. Richard Nixon, too, echoed Morgenthau when he declared, “The only time in the history of the world that we have had any extended period of peace is when there has been balance of power.” America's objective should not be to overcome or subdue tragedy and evil in international affairs but to preserve its freedom of maneuver under the force of circumstance. This was the principle that animated Nixon and Kissinger as they sought to extricate America from Vietnam, forge a détente with Moscow, establish diplomatic relations with China, and seek peace in the Middle East. Had Nixon and Kissinger not successfully improved relations with the Soviet Union, the Cold War would never have come to a peaceful end. Nor would the Camp David accords in 1978 between Israel and Egypt have been possible absent Kissinger’s imaginative shuttle diplomacy in the Middle East.

IN A surly essay in the New Yorker, Thomas Meaney brands Kissinger a mere “careerist” who lacks imagination:

Since leaving office, too, Kissinger has rarely challenged consensus, let alone offered the kind of inconvenient assessments that characterized the later career of George Kennan, who warned President Clinton against nato expansion after the Soviet Union’s collapse. It is instructive to measure Kissinger’s instincts against those of a true realist, such as the University of Chicago political scientist John Mearsheimer. As the Cold War ended, Mearsheimer was so committed to the “balance of power” principle that he made the striking suggestion of allowing nuclear proliferation in a unified Germany and throughout Eastern Europe. Kissinger, unable to see beyond the horizon of the Cold War, could not imagine any other purpose for American power than the pursuit of global supremacy.

But does deeming something a “striking suggestion” mean that it is also a sensible one? Surely Meaney does not himself mean to suggest that Central Europe would be better off if it were studded with nuclear weapons? Anyway, Kissinger, far from preaching American dominance, has sought to preserve, as far as possible, its power and was consistently condemned, at least on the right, for not seeking hegemony. It was George W. Bush, not Nixon and Kissinger, who sought to realize that vision. Since then, Kissinger has consistently called for averting a new clash with Beijing, warning that unrestrained competition could prompt China to morph into a modern-day Wilhelmine Germany that ends up in a catastrophic conflict with America. The same holds true for the prospect of a clash with Russia, where, as Michael C. Kimmage and Matthew Rojanksy observe in this issue, “conflict should be contained and balanced against cooperation. Russia, our third neighbor, must be a country with which the United States can manage to live.” Other realists such as Fareed Zakaria are warning about the prospect of the “self-destruction of American power.”

Decline is not inevitable. In a robust riposte to those predicting the demise of American power, Columbia University scholar Gregory Mitrovich asserts in this issue that “the intrinsic strength of the United States will, like that of Britain a century ago, enable America to retain its dominance.” But it will require a focus on national interests, rather than crusades, to ensure that America does not enfeeble itself. As the Trump administration seeks confrontation with China and jettisons the arms-control treaties that helped to constrain and regulate the dangers of a nuclear clash with Russia, Kissinger’s emphasis on the importance of maintaining order in international politics seems increasingly urgent. America is in danger of squandering its patrimony. To heed Kissinger’s counsel is not idolatry but prudent self-interest.

Jacob Heilbrunn is the editor of The National Interest.

Image: Reuters.

Source URL: https://nationalinterest.org/feature/case-kissinger-163805

Wednesday, July 15, 2020

My Dad and My Ancestors, Proud Master-builders ...

St. Mekhael .. 


They Roamed Countries and Built Churches, Mosques and Palaces ....

*

Monday, July 6, 2020

You have your Lebanon and I have my Lebanon. - Kahlil Gibran -





You have your Lebanon and I have my Lebanon. 
- Kahlil Gibran -

“You have your Lebanon and its dilemma. 
I have my Lebanon and its beauty. 
Your Lebanon is an arena for men from the West and men from the East. 
My Lebanon is a flock of birds fluttering in the early morning as shepherds lead their sheep into the meadow and rising in the evening as farmers return from their fields and vineyards.
You have your Lebanon and its people. 
I have my Lebanon and its people. 
Yours are those whose souls were born in the hospitals of the West; they are as ship without rudder or sail upon a raging sea…. They are strong and eloquent among themselves but weak and dumb among Europeans.
They are brave, the liberators and the reformers, but only in their own area. But they are cowards, always led backwards by the Europeans. They are those who croak like frogs boasting that they have rid themselves of their ancient, tyrannical enemy, but the truth of the matter is that this tyrannical enemy still hides within their own souls. They are the slaves for whom time had exchanged rusty chains for shiny ones so that they thought themselves free. These are the children of your Lebanon. Is there anyone among them who represents the strength of the towering rocks of Lebanon, the purity of its water or the fragrance of its air? Who among them vouchsafes to say, “When I die I leave my country little better than when I was born”?
Who among them dare to say, “My life was a drop of blood in the veins of Lebanon, a tear in her eyes or a smile upon her lips”? Those are the children of your Lebanon. They are, in your estimation, great; but insignificant in my estimation.
Let me tell you who are the children of my Lebanon.
They are farmers who would turn the fallow field into garden and grove. 
They are the shepherds who lead their flocks through the valleys to be fattened for your table meat and your woolens. 
They are the vine-pressers who press the grape to wine and boil it to syrup. 
They are the parents who tend the nurseries, the mothers who spin the silken yarn. 
They are the husbands who harvest the wheat and the wives who gather the sheaves. 
They are the builders, the potters, the weavers and the bell-casters. 
They are the poets who pour their souls in new cups. 
They are those who migrate with nothing but courage in their hearts and strength in their arms but who return with wealth in their hands and a wreath of glory upon their heads. 
They are the victorious wherever they go and loved and respected wherever they settle. 
They are the ones born in huts but who died in palaces of learning. 
These are the children of Lebanon; they are the lamps that cannot be snuffed by the wind and the salt which remains unspoiled through the ages. 
They are the ones who are steadily moving toward perfection, beauty, and truth.
What will remain of your Lebanon after a century? 
Tell me! 
Except bragging, lying and stupidity? 
Do you expect the ages to keep in its memory the traces of deceit and cheating and hypocrisy? 
Do you think the atmosphere will preserve in its pockets the shadows of death and the stench of graves?
Do you believe life will accept a patched garment for a dress? 
Verily, I say to you that an olive plant in the hills of Lebanon will outlast all of your deeds and your works; that the wooden plow pulled by the oxen in the crannies of Lebanon is nobler than your dreams and aspirations.
I say to you, while the conscience of time listened to me, that the songs of a maiden collecting herbs in the valleys of Lebanon will outlast all the uttering of the most exalted prattler among you. I say to you that you are achieving nothing. If you knew that you are accomplishing nothing, I would feel sorry for you, but you know it not.
You have your Lebanon and I have my Lebanon.”

Saturday, March 28, 2020

The Myth of Sisyphus by Albert Camus




The Myth of Sisyphus 
by Albert Camus

The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.

If one believes Homer, Sisyphus was the wisest and most prudent of mortals. According to another tradition, however, he was disposed to practice the profession of highwayman. I see no contradiction in this. Opinions differ as to the reasons why he became the futile laborer of the underworld. To begin with, he is accused of a certain levity in regard to the gods. He stole their secrets. Aegina, the daughter of Aesopus, was carried off by Jupiter. The father was shocked by that disappearance and complained to Sisyphus. He, who knew of the abduction, offered to tell about it on condition that Aesopus would give water to the citadel of Corinth. To the celestial thunderbolts he preferred the benediction of water. He was punished for this in the underworld. Homer tells us also that Sisyphus had put Death in chains. Pluto could not endure the sight of his deserted, silent empire. He dispatched the god of war, who liberated Death from the hands of the conqueror.

It is said also that Sisyphus, being near to death, rashly wanted to test his wife's love. He ordered her to cast his unburied body into the middle of the public square. Sisyphus woke up in the underworld. And there, annoyed by an obedience so contrary to human love, he obtained from Pluto permission to return to earth in order to chastise his wife. But when he had seen again the face of this world, enjoyed water and sun, warm stones and the sea, he no longer wanted to go back to the infernal darkness. Recalls, signs of anger, warnings were of no avail. Many years more he lived facing the curve of the gulf, the sparkling sea, and the smiles of the earth. A decree of the gods was necessary. Mercury came and seized the impudent man by the collar and, snatching him from his joys, led him forcibly back to the underworld, where his rock was ready for him.

You have already grasped that Sisyphus is the aburd hero. He is,as much through his passions as through his torture. His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing. This is the price that must be paid for the passions of this earth. Nothing is told us about Sisyphus in the underworld. Myths are made for the imagination to breathe life into them. As for this myth, one sees merely the whole effort of a body straining to raise the huge stone, to roll it and push it up a slope a hundred times over; one sees the face screwed up, the cheek tight against the stone, the shoulder bracing the clay-covered mass, the foot wedging it, the fresh start with arms outstretched, the wholly human security of two earth-clotted hands. At the very end of his long effort measured by skyless space and time without depth, the purpose is achieved. Then Sisyphus watches the stone rush down in a few moments toward that lower world whence he will have to push it up again toward the summit. He goes back down to the plain. It is during that return, that pause, that Sisyphus interests me. A face that toils so close to stones is already stone itself! I see that man going back down with a heavy yet measured step toward the torment of which he will never know the end. That hour like a breathing-space which returns as surely as his suffering, that is the hour of consciousness. At each of those moments when he leaves the heights and gradually sinks toward the lairs of the gods, he is superior to his fate. He is stronger than his rock.


If this myth is tragic, that is because its hero is conscious. Where would his torture be, indeed, if at every step the hope of succeeding upheld him? The workman of today works every day in his life at the same tasks, and this fate is no less absurd. But it is tragic only at the rare moments when it becomes conscious. Sisyphus, proletarian of the gods, powerless and rebellious, knows the whole extent of his wretched condition: it is what he thinks of during his descent. The lucidity that was to constitute his torture at the same time crowns his victory. There is no fate that cannot be surmounted by scorn.




If the descent is thus sometimes performed in sorrow, it can also take place in joy. This word is not too much. Again I fancy Sisyphus returning toward his rock, and th sorrow was in the beginning. When the images of earth cling too tightly to memory, when the call of happiness becomes too insistent, it happens that melancholy rises in man's heart: this is the rock's victory, this is the rock itself. The boundless grief is too heavy to bear. These are our nights of Gethsemane. But crushing truths perish from being acknowledged. Thus, Oedipus at the outset obeys fate without knowing it. But from the moment he knows, his tragedy begins. Yet at the same time, blind and desperate, he realizes that the only bond linking him to the world is the cool hand of a girl. Then a tremendous remark rings out: "Despite so many ordeals, my advanced age and the nobility of my soul make me conclude that all is well." Sophocles' Oedipus, like Dostoevsky's Kirilov, thus gives the recipe for the absurd victory. Ancient wisdom confirms modern heroism.

One does not discover the absurd without attempting to write a manual of happiness. "What! by such narrow ways--?" There is but one world, however. Happiness and the absurd are two sons of the same earth. They are inseparable. It would be a mistake to say that happiness necessarily springs from the absurd discovery. It happens as well that the feeling of the absurd springs from happiness. "I conclude that all is well," says Oedipus, and that remark is sacred. It echoes in the wild and limited universe of man. It teaches that all is not, has not been, exhausted. It drives out of this world a god who had come into it with dissatisfaction and a preference for futile sufferings. It makes of fate a human matter, which must be settled among men.

All Sisyphus' silent joy is contained therein. His fate belongs to him. His rock is his thing. Likewise, the absurd man, when he contemplates his torment, silences all the idols. In the universe suddenly restored to silence, the myriad wondering little voices of the earth rise up. Unconscious, secret calls, invitations from all the faces, they are the necessary reverse and price of victory. there is no sun without shadow, and it is essential to know the night. The absurd man says yes and his effort will henceforth be unceasing. If there is a personal fate, there is no higher destiny, or at least there is but one which he concludes is inevitable and despicable. For the rest, he knows himself to be the master of his days. At that subtle moment when man glances backward over his life, Sisyphus returning toward his rock, in that silent pivoting he contemplates that series of unrelated actions which becomes his fate, created by him, combined under his memory's eye and soon sealed by his death. Thus, convinced of the wholly human origin of all that is human, a blind man eager to see who knows that the night has no end, he is still on the go. The rock is still rolling.

I leave Sisyphus at the foot of the mountain! One always finds one's burden again. But Sisyphus teaches the higher fidelity that negates the gods and raises rocks. He too concludes that all is well. This universe henceforth without a master seems to him neither sterile nor futile. Each atom of that stone, each mineral flake of that night-filled mountain, in itself forms a world. The struggle itself toward the heights is enough to fill a man's heart. One must imagine Sisyphus happy.


***

What is it about your life that resembles Sisyphus' plight? What is your relationship to your rock? Is the struggle itself enough for you? Would you describe pushing a rock up a hill heaven, hell, or something in between? How does this story relate to Sartre's ideas about man's fate, Plato's universe, Christian faith and the teachings of Jesus? Which is worse, Dante's Inferno or the eternal struggle of Sisyphus?



Friday, March 27, 2020

The sad window - a Poem -



The sad window
*
The sad window tells me

the bird I heard singing
yesterday
has lost its tree
and is distributing silence
to feed his memory.

The sad window tells me
the world is a big cage:
it's all about seeing the bars,
it's all about ignoring them.

The sad window tells me
there is only one mouth
one word
one language
and infinite screams.

The sad window tells me
each breath is a razor cut
and hope is nothing but
emptiness spelled backwards.

The sad window tells me
the real light is inside the well
and I have to dig it out
from my own darkness.

The sad window tells me
There is no window
no sun
but in my heart.