Monday, April 29, 2019

Try a Little Tenderness

The Stone
The Stone is a forum for contemporary philosophers and other thinkers on issues both timely and timeless. 

Try a Little Tenderness

BY GORDON MARINO FEBRUARY 13, 2013 


The philosophers, the lovers of wisdom, have pondered and written a lot about love, even erotic and romantic love, but they have given a cold shoulder to that offshoot of love — tenderness. Indeed, I don’t believe I have ever heard a member of the Socrates guild even mention the lovely word in a remotely philosophical context.

In Plato’s account of love in the “Symposium,” the description of the first tingling visits of eros swings by the door of tenderness but ultimately passes by. Of course, Rousseau gave tenderness a pat but not much more. And I once heard the philosopher Cornel West give kudos to the quality of tenderness on a TV talk show. The young Camus, whose work is taught in philosophy classes but who by no means considered himself to be cut from the same cloth of mind as a Bertrand Russell or Sartre, knew the tincture of this neglected feeling. As a young man, almost sounding like Walt Whitman, Camus cast this powerful and tender constellation of thoughts:


The breeze is cool and the sky blue. I love this life with abandon and wish to speak of it boldly: it makes me proud of my human condition. Yet people have often told me: there’s nothing to be proud of. Yes, there is: this sun, this sea, my heart leaping with youth, the salt taste of my body and this vast landscape in which tenderness and glory merge in blue and yellow. (from “Nuptials at Tipasa”)

Conceptually considered, tenderness has always been regarded as a blossom of love. It is in the context of being hit by cupid’s arrow and smitten that many of us first experience that dizzying, enchanted feeling. Kant insisted that inasmuch as love is a moral duty, it cannot be a feeling because it is not within our power to command emotions. The great Scottish philosopher, David Hume, who taught that sympathy is the taproot of our moral sense and that reason ought to be the slave of the passions, had some kind words for the soft feelings of friendship, but more or less left tenderness out in the hall.


Kierkegaard, a high priest of the importance of the emotions and author of that tender but demanding “Works of Love,” daubed love as a duty, a need and a passion, but in his massive tome there is hardly a nod to that poor stepchild that is tenderness. At the risk of seeming glib, perhaps contemporary masters of abstract argumentation could take a cue from Otis Redding and “Try a Little Tenderness.”

If a primary aim in life is to develop into a caring and connected human being (admittedly, a big “if”), rather than, say, thinking of oneself as a tourist collecting as many pleasant and fulfilling experiences as possible, then surely a capacity for tenderness must play a role. Of course, that softening of the heart does not guarantee our humanity. After all, Hitler teared up over his pooch and perhaps Genghis Khan did the same over his horses. Still, an otherwise upright person who could walk by a little girl greeting her soldier dad coming home from war without a feeling of heat coming to the cheeks is lacking something. The person who is stopped in their tracks by the sight of a hunched, old woman, bags in hands, waiting in a thick snowfall to be picked up from a shopping trip, might be in a better spiritual place than those of us marching with our heads down, consumed with the pressing problem of how we can get to the gym for some cardio before meeting the wife for dinner at Chez whatever.

Most of those who identify themselves as philosophers begin discussions with a search for a definition. But the perturbations of the inner world are not like tables and chairs and can most readily be spoken of and distinguished from one another vaguely and with the use of metaphors. Nevertheless, the images that float to mind around tenderness always involve a softening of the inner self. The ancient Greeks, who understood psychological matters in terms of the elements, believed that too much Spartan tough-guy training literally desiccated the soul, rendering it hard and insensitive. For them, tenderness would have involved a moistening of the psyche and an opening up to the impingement of the outer world.

In general, tenderness involves increased sensitivity. When we say that an injury is tender, we mean that it is hyper-sensitive to the touch. And in moments of tenderness it is as though the ego and all its machinations momentarily melt away so that our feelings are heightened and we are perhaps moved by the impulse to reach out with a comforting hand.

For raw-edged instance, my wife Susan and I were recently in a bad car crash in the frozen tundra of the Minnesota countryside. Looking down into her fluttering eyes and quivering lips, I held my emotions together as the medical team strapped her to a board to get her to the helicopter that would take her to the trauma center. But then I glanced at one of my twenty-something sons, who had raced to the scene and glimpsed his cheeks working with love and fear for his mother. He was trying to keep his inner world from exploding. And in a tidal sweep of tenderness, all my stoicism and calm reason began to fly with the geese winging overhead.

Leo Tolstoy was a man possessed of gargantuan talents and ego, but this Godzilla of the will knew something about the power of tenderness to fling open news vistas of feeling and insight. In his immortal “The Death of Ivan Ilych,” his protagonist has led a life whose lodestar was status and material success. It was an existence remote from authentic relationships, even from his wife and children. But then in the very midst of his career, the sickness unto death suddenly came a calling. Ilych is hours from the end. Tolstoy writes:


Just then his schoolboy son had crept softly in and gone up to the bedside.The dying man was still screaming desperately and waving his arms. His hand fell on the boy’s head, and the boy caught it, pressed it to his lips, and began to cry.

At that very moment Ivan Ilych fell through and caught sight of the light, and it was revealed to him that though his life had not been what it should have been, this could still be rectified. He asked himself, “What is the right thing?” and grew still, listening. Then he felt someone was kissing his hand. He opened his eyes, looked at his son, and felt sorry for him.

Almost by definition, every culture cultivates certain qualities and feelings. In the United States, we lionize resolve, determination and resiliency. Although we have a strong nostalgic streak, we are a hard people who no less than the ancient Romans entertain ourselves with a steady diet of throat slitting and torture images that can only work to pound the tenderness out of us. Of course our TV tough guys always shroud their violence in some mollifying narratives that render their acts of slaughter righteous and emotionally satisfying. But for the most part in our culture, we leave the feeling of tenderness in a small pot in the mudroom. To feel tenderly is to feel vulnerable and vulnerability is not a favorite American dish.

When it comes to the humanizing sentiments, we Americans place placards in public schools and in general harp on the significance of respect. While I have all the respect in the world for respect, it is a chilly sort of feeling — if it is a feeling at all. Respect is a fence that prevents us from harming one another. But strengthening the ties that bind and make us human requires something more pliant, more intimate. We need to be visited by that weird and neglected angel that is the feeling of tenderness.




Gordon Marino is a professor of philosophy and the director of the Hong Kierkegaard Library at St. Olaf College in Northfield, Minn. He is the editor of “Ethics: The Essential Writings” and the forthcoming “The Quotable Kierkegaard.”


Saturday, April 27, 2019

Never Seek to Tell thy Love - William Blake -



Never Seek to Tell thy Love

Never seek to tell thy love
Love that never told can be
For the gentle wind does move
Silently invisibly

I told my love I told my love
I told her all my heart
Trembling cold in ghastly fears
Ah she doth depart

Soon as she was gone from me
A traveller came by
Silently invisibly
O was no deny


- Blake -


Friday, April 26, 2019

FallingWater


Fallingwater.....




To see a World in a Grain of Sand - Blake -


To see a World in a Grain of Sand 
And a Heaven in a Wild Flower 
Hold Infinity in the palm of your hand 
And Eternity in an hour
*
A Truth thats told with bad intent 
Beats all the Lies you can invent 
It is right it should be so 
*
Man was made for Joy & Woe 
And when this we rightly know 
Thro the World we safely go 
*
Joy & Woe are woven fine 
A Clothing for the soul divine 
Under every grief & pine 
Runs a joy with silken twine 
*
Some to Misery are Born 
Every Morn and every Night 
Some are Born to sweet delight 
Some are Born to sweet delight 
Some are Born to Endless Night 
*
We are led to Believe a Lie 
When we see not Thro the Eye 
Which was Born in a Night to perish in a Night 
When the Soul Slept in Beams of Light


-Blake -


I remain a Sad Autumn - Rumi -



How long
can i lament
with this depressed
heart and soul

How long
can i remain
a sad autumn
ever since my grief
has shed my leaves

The entire space
of my soul
is burning in agony

How long can i
hide the flames
wanting to rise
out of this fire

How long can one suffer
the pain of hatred
of another human
a friend behaving like an enemy

With a broken heart
how much more
can i take the message
from body to soul

I believe in love
i swear by love
believe me my love

How long
like a prisoner of grief
can i beg for mercy

You know i'm not
a piece of rock or steel
but hearing my story
even water will become
as tense as a stone

If i can only recount
the story of my life
right out of my body
flames will grow

******

Rocking and rolling
what have you been drinking
please let me know

You must be drunk
going house to house
wandering from street to street

Who have you been with
who have you kissed
who's face have you been fondling

You are my soul
you are my life
i swear my life and love is yours

So tell me the truth
where is that fountainhead
the one you've been drinking from

Don't hide this secret
lead me to the source
fill my jug over and over again

Last night i finally caught
your attention in the crowd
it was your image filling my dream

Telling me to stop this wandering
stop this search for
good and evil

I said my dear prophet
give me some of
that you've drunk for ecstasy of life

If i let you drink you said
any of this burning flame
it will scorch your mouth and throat

Your portion has been
given already by heaven
ask for more at your peril

I lamented and begged
i desire much more
please show me the source

I have no fear
to burn my mouth and throat
i'm ready to drink every flame and more

*******

Show me your face
I crave
flowers and gardens

Open your lips
I crave
the taste of honey
come out from
behind the clouds

I desire a sunny face
your voice echoed
saying "leave me alone"

I wish to hear your voice
again saying "leave me alone"

I swear this city without you
is a prison I am dying to get out
to roam in deserts and mountains

I am tired of
flimsy friends and
submissive companions

I die to walk with the brave
am blue hearing
nagging voices and meek cries

I desire loud music
drunken parties and
wild dance
one hand holding
a cup of wine
one hand caressing your hair
then dancing in orbital circle
that is what i yearn for

I can sing better than any nightingale
but because of
this city's freaks

I seal my lips
while my heart weeps
yesterday the wisest man
holding a lit lantern
in daylight
was searching around town saying

I am tired of
all these beasts and brutes

I seek
a true human
we have all looked
for one but
no one could be found
they said
yes he replied
but my search is
for the one
who cannot be found ....................


Translated by Nader Khalili



Only Breath -Rumi-

Only Breath

Not Christian or Jew or Muslim, not Hindu Buddhist, sufi, or zen.

Not any religion or cultural system.

I am not from the East or the West, not out of the ocean or up from the ground, not natural or ethereal, not composed of elements at all.

I do not exist, am not an entity in this world or in the next,
did not descend from Adam and Eve or any origin story. My place is placeless, a trace of the traceless.

Neither body or soul.

I belong to the beloved, have seen the two
worlds as one and that one call to and know, first, last, outer, inner, only that breath breathing human being.

From Essential Rumi
by Coleman Barks

How Would You Draw History ?


THE STONE - NYT -

How Would You Draw History?

When cracks start to appear in the world order, the old textbook timeline just won’t do.

By Crispin Sartwell

Mr. Sartwell is a professor of philosophy.
Nov. 19, 2018



Recent world events — take your pick — might have you wondering about where human history is headed, and by what route. You would not be alone. 

The fracturing of global alliances and the rise of hard-right movements like those in Hungary, Brazil and the United States have caused many of us to question the inevitability of what we generally call progress. Ecological disasters like the California wildfires, plausibly connected to climate change and suburban development, raise the specter of a human history moving inexorably toward self-destruction. 

The philosophy of history, which flourished in the 19th and early 20th centuries and has enjoyed periodic revivals in the hands of thinkers like Arthur Danto and Francis Fukuyama, set itself the remarkably ambitious project of describing the forces that shape human events: history’s structure, its direction, its aim, its point and even its end. There are good reasons to be skeptical of such a project, which we might associate above all with the names Marx and Hegel, and it is possible that history has no coherent shape or direction, or many. It may be, too, that the shape of history depends on our decisions and not on impersonal forces. But the philosophy of history is also a seductive project because, among other things, it seems to promise an understanding — even an approximate one — of what might happen next.


The basic timeline of history, which still ornaments elementary-school classrooms, remains the way many of us picture how we got to where we are. Its ubiquity suggests that drawing history, trying to capture the shape of time graphically, on a page or in our imaginations, is fundamental to how we understand both the past and the future; we need to diagram history to grasp it, if it can be grasped at all. 








There is only one history or course of time, in this view, and all humankind is swept up in it. As we tilt the right end up, we portray “the Whig interpretation of history,” a term coined in 1931 by the historian Herbert Butterfield to describe what he thought of as naïve progressive optimism, the idea that history was headed pretty directly for freedom and enlightenment. We’ve often gotten very much the same picture from progressive leaders like the Rev. Dr. Martin Luther King Jr. and former President Barack Obama, who tell the story of America as a march toward justice, characterized by the enfranchisement of oppressed groups, presented at times almost as inevitable.

On the other hand, many theorists and many traditional cultures have envisioned time as circular or at least cyclical, which is even suggested by the rhythm of day and night or of the seasons.











Nietzsche, for example, speculated that a finite number of atoms in infinite time would assume the same configurations again and again, infinitely. But many ancient philosophies, such as Stoicism, and ancient religions, such as some elements of Hinduism, believed in the wheel of time (or kalachakra). We talk this way informally as well, when we say that history repeats itself, and certainly the idea that we live in an era when fascists and capitalists are squaring off against socialists all over the world sounds like 1930, and 1890 and 1850.

The repetitions are striking but not exact, so perhaps history has a loop structure.









It’s cyclical, but it often doubles back on its journey forward. Here we might also think of progress pursued through a revival of traditional values, or radical reform movements that make what almost appears to be a reactionary appeal to the source or origin, as in the philosophy of Confucius or the Reformation of Martin Luther. Obama’s first inaugural address, typically for American political rhetoric, portrayed his victory both as progressive and as a return to the values of America’s founding, as the top of the loop, as it were. A strength of this picture is that it explains seeming setbacks as continuations of the way forward. We are likely to flow out of our period of reaction and disaster.

The most ambitious accounts of history in the 19th century were Hegel’s and Marx’s, which described the structure in terms of “dialectics,” or opposites that were reconciled at a higher level in the next phase: conflicting cultures or classes or spirits of the age that were merged and transcended at the dawn of the next period, which in turn generated a new conflict or tension.












For example, Marx described the feudal economy as generating a conflict between lord and serf that was finally overcome by the rise of bourgeois capitalism, which in turn gave rise to a conflict between owners and workers that would inevitably lead to communism. Hegel looked on the Romantic art of his time as a synthesis and transcendence of symbolist or iconic art (Egyptian, for example) and classical Greek and Renaissance styles, overcoming the apparent opposition between reason and passion or reason and subjectivity. Both of them, like Fukuyama, thought that the whole thing was leading toward some kind of ecstatic or at least satisfactory end-state.

Once we let the physicists and cosmologists in on the action, however, things are liable to get explosively weird, and Stephen Hawking (following Richard Feynman and others) concludes from quantum mechanics that “the universe has every possible history.”









It’s a big bang not only of matter but also of almost infinitely many timelines, each of which might be a line or a loop, a circle or spiral. At this point, however, the complexity might just be getting too great to yield much in the way of predictions. Or rather, if you predicted that everything that can possibly happen will happen, you’d be right, and finished.

If I were trying to draw history, I’d draw it as a loop spiral: all on a single timeline, but crossing and recrossing itself, not making any particular progress forward or upward, but blossoming or expanding outward, more complex with each spiral because of the accretion of events.









Well, that’s the shape I think history would have, if I thought history had a shape. I call it the Spirograph theory.

At any rate, depending on how the lines get drawn, Brazil and the rest of us will be looping around, or resolving our contradictions, or cycling back left, or will have every possible future.


Crispin Sartwell teaches philosophy at Dickinson College in Carlisle, Pa. His most recent book is “Entanglements: A System of Philosophy.”